In rough carpentry, deciding how to cut into a board is pretty straight forward — measure to length and chop. But for fine woodworking, slicing up a prized piece of lumber is a more refined skill. In this video, professional cabinetmaker and teacher Eric Matson shows how to evaluate rough lumber prior to cutting. First, he identifies and marks with chalk unusable defects in the stock including knots, checks, and sapwood. Then he decides how cut to the board into rough component pieces for maximum yield and beauty. Part of Eric’s goal is to assure that sectioned boards “wrap” the project (i.e. a piece of furniture) in the same sequence they come off the board. This artful attention to the flow and continuity of the wood’s grain increases the quality of the final project. Grain flow is the core objective, but a complete evaluation also includes identifying highly figured parts of a board, which can be used for focal points (drawer fronts, table tops, etc). And if surplus material remains on the board, Eric makes sure he cuts extra spare parts and “set-up” pieces when possible. — Keith (4 Minute Woodworking Video).

Eric Matson is the Director of the Fine Woodworking Program at Rio Grand University. Rio Grande offers a one year certificate program, as well as two year associates and four year college degree programs. Graduates have the skills and knowledge to be productive in custom furniture shops and architectural/cabinet shops. Rio Grande (pronounced rye-oh) is in Southern Ohio.

For years, one of the great mysteries to me was, how did artisans of the past make those spectacular decorative twist finials often found on the most elaborate grandfather clocks, highboys, and other high-grade period furniture? In this video, we meet Irion Company staffer Brad Ramsay, an accomplished cabinetmaker and highly skilled carver who shows us the fundamental approach used to carve these flamboyant furniture elements. It’s a technique that can be used to carve spirals in any wood project, be it a finial or even a twisted table leg.

Learn the core skills used including how to secure the workpiece to the workbench, how to start the carving, and how to rough-carve to the layout lines. But most importantly, in my view, Jeff explains how carvers — and all woodworkers — need to read the grain of the wood for feedback. The take-away lesson: let the wood speak to you whether you are carving the twist of a finial or tuning the fit of a dovetail. — Keith (10 Minute Woodworking Video) For more in this series go to: The Big Payoff: Finish Carve a Decorative Spiral (Part 3 of 3)

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The Irion Company specializes in the restoration, conservation, and hand-made reproduction of American antique furniture from the 18th and 19th century. Brad Ramsay is a cabinetmaker and he specializes in period correct carvings.

Ever wonder what defines quarter sawn, plain (flat) sawn, or rift sawn lumber? Professional sawyer and fine-hardwood dealer Rick Hearne dissects a sample flitch-cut log to demonstrate the variety of grain orientations that can be milled from any log. It’s more than an academic exercise because each type of cut offers the woodworker specific characteristics not found in the alternate orientations. Grain patterns, figure, medullary ray, and board stability are just some of the variables that make up the mix.

In this short video, Rick briefly explains how each type of cut is defined by the relationship of growth rings to a board’s face. Quarter sawn boards have a grain orientation that is largely vertical (60-90 degrees) to each face. Rift sawn lumber is cut with the grain oriented 30-60 degrees to the boards face. And the most common cut is plain (or flat) sawn lumber with the grain running mostly parallel to the boards face. Most importantly, Rick explains why it matters. (2.5 Minute Woodworking Video)

Rick Hearne is President of Hearne Hardwoods in Oxford, PA