The building of a workbench often becomes a right of passage for many accomplished woodworkers. For these artisans, it’s a tangible expression of their skills, esthetic, and approach to the craft. It’s also a prized tool. Why a bench looks and works the way it does will not always reveal itself quickly. But if you ever visit the shop of a master craftsman and ask about their bench, you might be amazed at what you’ll learn.

In this video, we get to do just that when we meet master cabinetmaker Patrick Edwards who gives us a guided tour of his massive, hand-built bench designed for working with hand tools. Patrick works almost exclusively with hand tools, most either originals or hand-made reproductions from the 18th and 19th centuries. Patrick says pretty bluntly, “The bench is the first tool. The bench is the beginning tool that every person who works with hand tools has to have.” In Patrick’s case, it truly is the centerpiece of the shop. And it’s easy to see why, because if you can’t hold the work, you can’t use a hand plane or a chisel or any tool that requires the workpiece to be held stationary. For hand-making drawers and dovetails, you really need a purpose-built bench.

Patrick’s bench is influenced by several historic styles. His incorporates characteristics of a typical Northern European style bench which features wooden-screwed tail and shoulder vises complimented by a series of dog holes (the bench style most famously used by Frank Klausz). And he also merged elements of the French style Roubo bench, which makes use of quick-release iron holdfasts. Then for good measure, he added an antique leg vise to one corner (which he purchased from Windsor chair maker, Michael Dunbar). The combination of all these vices and clamping stations allows him to hold almost any workpiece including often difficult to hold turned objects and carvings.

Now decades old, Patrick’s toothing-plane-scrubbed bench has a well earned patina, evidence left behind by the maker working his craft. It’s a patina just waiting to tell us its story. I hope you are inspired. (10 Minute Woodworking Video)

Patrick Edwards is President of Antique Refinishers, Inc. which offers restoration, conservation and reproduction of pre-industrial American and European furniture for dealers, private collectors, and institutions. Mr. Edward also owns and instructs at the American School of French Marquetry, Inc. Both business are based on San Diego, California. Mr. Edwards has also formulated a slow-set, ready-to-use liquid hide glue. which he produces and sells under the brand name “Old Brown Glue”.

Sometimes when looking closely through the lens of my camera at a gifted artisan’s working hands, I see movements similar to the supple and exacting hand-motions of a musician. This is especially true when it comes to carving. Woodcarving requires a high-degree of free-hand skill. There are few opportunities to rely on jigs or fixtures. To master the skill, it helps to understand that it’s not simply how a carver slices the chisel’s cutting edge into wood grain, but also how tool grip and hand motion gets transmitted to the sharp end of the tool. If you’re like me, you’ll find this kind of closer examination instructive and inspiring. That’s why I made the video here featuring the Irion Company’s carving expert Brad Ramsay.

Brad is one these naturally gifted artists whose precise and flowing hand movements allow him to wield total control over his work. In this video segment we take a closer look at these motions as Brad explains how he uses his hands in a variety of ways to control his carving tools (chisels, gouges, or sweeps, etc). Among other subtleties, there are five (5) hand grips or motions worth examining in closer detail that increase carving control including; how to add power to your grip, how to use “skewing” motions to cut through difficult grain, how to lock the gouge into your palm & fingers by using your “pinky” or “little” finger, how to form a tool rest with your opposing hand, and how to choke up or down on your grip to alter your leverage and maximize control. — Keith (5 Minute Woodworking Video)

Brad Ramsay is the Irion Company’s in-house carving expert. The Irion Company specializes in the restoration, conservation, and hand-made reproduction of American antique furniture from the 18th and 19th century.

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Warning! Skip this video if you haven’t watched any of my “How to Carve Twists & Spirals” video series featuring Irion Company carver, Brad Ramsay. I say this not to discourage you, because it’s a revelation here to see Brad work his magic. But if you first watch Part 2 or Part 3 (which features real hands-on carving of a “period correct” twist finial) I think you will find this video to be all the more important, interesting and fun.

What impressed me the most while I was filming this segment, was the fact that Brad truly relishes the layout and preparation phase of this project, mostly because it offers him the freedom to re-work and tune things when changes are most easily made. And, it seems to me that there are certain appealing artistic opportunities here too.

In this video, Brad shows us how he breaks it all down — using only a pencil, compass and dividers. There are essentially four steps in the process. First, Brad segments the un-carved pre-turned blank into the equal divisions to match the original (or desired model design). He then draws a smooth 360 twist from the base to the top of the woodturning blank, making sure this line flows gently from top to bottom. Next, he creates additional layout divisions for reference. And then finally, he draws the remaining repeating elements to match the first.

The entire process once seen, is easy to understand. And keep this in mind, this layout method has broader application in any project requiring layout of repeating circular, spiral, or twisting designs in furniture or other wood objects. Not a bad thing to know and stash away in your bag of tricks. — Keith (7 Minute Woodworking Video)

For more in this series watch: Secrets Revealed: How to Rough Carve Twists and Spirals (Part 2 of 3)

The Irion Company specializes in the restoration, conservation, and hand-made reproduction of American antique furniture from the 18th and 19th century. Brad Ramsay is a cabinetmaker and he specializes in period correct carvings.

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