In this video we learn how to apply flutes (or reeds) to wood turnings. These decorative flourishes are notable design elements incorporated into many historic furniture styles including the Federal, Hepplewhite, and Sheraton schools. But even contemporary makers employ fluting and reeding within their work. You can too.

If you aren’t already familiar with the terminology, flutes are concave grooves cut along the length of an object. Reeds are cut similarly but their profile is convex. Flat moldings and trim can be reeded or fluted, but, in this video we focus on embellishing “round things” like bedposts and table legs. Johnathan Sanbuichi, turning specialist at Irion Company Furniture Makers, demonstrates how he uses a router mounted in a shop-built jig, a custom made indexing tool, and his massive lathe bed to accurately, quickly and repeatedly produce beautifully flowing carved lines. Learn and enjoy. — Keith (10 Minute Woodworking Video)

Johnathan Sanbuichi is a cabinetmaker and turning expert at the The Irion Company, specialists in the restoration, conservation, and hand-made reproduction of American antique furniture from the 18th and 19th century. Irion is based in Christiana, Pennsylvania.

Toolmaking skill allows woodturner Mark Damron to design projects that otherwise might be impossible to create. Mr. Damron is full of surprises. Meet him on the street and you might never guess what really drives him. A big man who speaks plainly, Mr. Damron is a toolmaker and machinist by trade, but working on the lathe is his passion. His toolmaking skills are broad & deep, and that makes Mark somewhat unusual because he relies on these skills for most turning projects he attempts. This allows him to solve problems by building custom tools that meet his needs. Yet there is more to Mark than technical prowess. Mark is also possessed with a driving creative insight, which he is often too modest to acknowledge.

If you spend any time at all with Mark, you quickly conclude that he has his own unique vision. His desire to break from tradition runs irrepressibly deep within him. Mark’s work is a reflection of all of this — and from my perspective, this sure makes him fun to watch. His large-scale, stack ring laminated vessels are but one example. In turning these pieces, Mark depends on several custom tools designed to hold the tight tolerances that are needed to extrude tall, grain-matched vessels from massive turning blanks of highly figured wood. Thin walls, large pieces, and fragile rings combine for some scary turning. But Mark is sure-footed. And in the end, the results are spectacular. (7 Minute Video)

Turning segmented objects is similar in many ways to traditional woodturning. But there are subtle differences. Each segmented glue-up can contain dozens or hundreds of precisely made pieces fused into a single rough blank. This construction can sometimes be more fragile than a solid piece of wood, especially during the early roughing out stage of the turn. But there are ways to minimize the risk of “blowing up” the piece. Success starts with proper gouge and hollowing tool selection. WoodTreks guest artisan and Segmented turner, Don Leman shares his thoughts on how he approaches the craft and his special appreciation for the magic that comes from putting a complex segmented stack on the lathe and putting steel to wood. (3.5 Minute Video)